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When Raoud Le Meir finds a drunk Nazi passed out in his barn one night, he does what every terrified, mute and livid 12-year-old boy would do ? steals the soldier’s rifle.
The logline revisions read as if you're still not sure which obstacle would be most interesting. So, what would you like to write about? Either a vengeful boy learning not to generalise his hate to all Germans or a boy managing to one-up a German captain's security?
The logline revisions read as if you’re still not sure which obstacle would be most interesting. So, what would you like to write about? Either a vengeful boy learning not to generalise his hate to all Germans or a boy managing to one-up a German captain’s security?
See lessI have a simple question about one script I’m currently working on: it has 10 short stories all based in Greece in different cities and areas. Maybe you know the movies “New York, I love you” and “Paris, je t’aime”. Basically, it is such a script, but located in Greece. Do you think this type of script is marketable in any way? And should I write one logline for the whole script or 10 different ones for each story? Thank you for your help in advance! Savas
If, as Richiev pointed out, you have a framing device to hold all the stories together, you could structure a series out of it. Otherwise, most films that follow the paradigm you're proposing were not commercial successes and were made more as vanity projects as a result of industry insiders havingRead more
If, as Richiev pointed out, you have a framing device to hold all the stories together, you could structure a series out of it. Otherwise, most films that follow the paradigm you’re proposing were not commercial successes and were made more as vanity projects as a result of industry insiders having access to the necessary resources.
Why not pick the most interesting short films in your pool of 10 and work on them. Once you’re able to get a short film, or two, right then move on to working on long form projects.
See lessVowlence Rewrite: After falling for another woman and in love with having choice, a rogue “constructed” husband must battle his original creator and society’s hell-bent effort to maintain matrimony’s perfect success rate, in his driven pursuit of true love.
This logline is difficult to understand. As a writer, you need to find a way for the logline to be less taxing on the reader. The easier it is for them to understand the greater the chance of them reading the script, the harder it is the less likely they are to request it and pass. The other importeRead more
This logline is difficult to understand. As a writer, you need to find a way for the logline to be less taxing on the reader. The easier it is for them to understand the greater the chance of them reading the script, the harder it is the less likely they are to request it and pass.
The other importent aspect of a logline is to demonstrate your ability as a writer, in other words, being efficiant with your words to say more with less.
Study the formula tab up top for more information on logline conventions. In the meantime, here are a few tips in relation to your concept:
– Your main character is a lab made man, replica or clone who has gone rogue – describe him as such. For example:
After a human replica, designed to be the perfect husband, falls for another woman he must…
– ? The main obstacle and action are unclear “…must battle his original creator and society?s hell-bent effort…” could mean any number of things. He could literaly battle his creator in a fist fight, argue morals, or threaten to bomb the city unless he or she publicly acknowledge the MC’s right to love freely.? Best you specify what the MC will do and what is stopping him.
-? The goal is vague “…his driven pursuit of true love.” What is the one way in which the audience will know the MC has achieved “…true love.”? Does he want to marry the woman he loves? Does he want to live with her? What is it specifically he needs to achieve in order to have true love?
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