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When a yound man falls in-love with a beautiful woman, he fights for his life, when her jealous fiancee determines to kill him.
Agreed with the above comments. Also, most love stories or boy meets girl stories follow a similar paradigm: boy meets girl, falls in love someone (usually an angry fiance or father) stands in their way. How is this different to the love story in Titanic for example?
Agreed with the above comments.
Also, most love stories or boy meets girl stories follow a similar paradigm: boy meets girl, falls in love someone (usually an angry fiance or father) stands in their way.
See lessHow is this different to the love story in Titanic for example?
A mentally unstable young couple from Appalachia reminisces about forging a bond of protection and an unorthodox family in the face of suicidal, homicidal, and familial strife in the slums of Los Angeles.
There's no goal established for the couple, according to the logline their primary action will be to reminisce. You need to define your characters by the actions they take towards their objective. What is it they want and why?
There’s no goal established for the couple, according to the logline their primary action will be to reminisce. You need to define your characters by the actions they take towards their objective.
What is it they want and why?
See lessA teenage Jewish boy in a Nazi death camp sets out to keep the promise of love with Hitler’s daughter despite the horrid Nazism they face.
This is essentially a boy meets girl story, and you're trying to exploit the Holocaust as a backdrop in order to increase the stakes, unfortunately to ill effect. Here are a few reasons why: The added complication of the German girl being Hitler's daughter is not only a convenient writing add-on butRead more
This is essentially a boy meets girl story, and you’re trying to exploit the Holocaust as a backdrop in order to increase the stakes, unfortunately to ill effect.
Here are a few reasons why:
See lessThe added complication of the German girl being Hitler’s daughter is not only a convenient writing add-on but also too big a leap of logic, which subsequently puts the suspension of disbelief under threat.
I simply can’t think of many ways to rectify this in the current concept as it is presented in the logline. Therefore, I believe you would do well to rethink this concept from the ground up, one such way of thinking (as previously suggested) could be to tell the story from the girl’s point of view instead of the boy’s – the story needs to change if you want to make it work.