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A self absorbed movie director is forced to take the investigation is his own hands after becoming murder suspect when all of the leading actresses from his previous movies are getting killed within a week after each movie’ premiere
Agreed with Richiev the order of the descriptions should match the order of the events in the plot - inciting incident first goal last. I'll add that it's a bit hard to believe he can solve the murders himself with no prior experience, perhaps then make him a crime thriller director. Directing a criRead more
Agreed with Richiev the order of the descriptions should match the order of the events in the plot – inciting incident first goal last. I’ll add that it’s a bit hard to believe he can solve the murders himself with no prior experience, perhaps then make him a crime thriller director. Directing a crime thriller is no qualification but can at least hint that he did some research and learned about the world he’s about to dive head first into. This could also indicate that he will rely on tropes and cliches? which could result in some funny or awkward moments for him.
See lessTwenty something Sherlock Holmes and Jame Moriarty hatch a plan to start a war and profit, only to be undone by a secret government agency headed by Mycroft Holmes.
Sherlock an evil mastermind criminal... If you're using a pre-existing character you can't change him in such a way - it's no longer the same Character. It reads as though you're trying to structure an origin story for Sherlock Holmes, I strongly suggest (if you want producers to take this seriouslyRead more
Sherlock an evil mastermind criminal… If you’re using a pre-existing character you can’t change him in such a way – it’s no longer the same Character.
It reads as though you’re trying to structure an origin story for Sherlock Holmes, I strongly suggest (if you want producers to take this seriously) that you stick to the very well defined characteristics already in the canon. Take a leaf out of Steven Moffat’s book and expand or accentuate what has already been established instead of doing a complete 180 on the character.
Also, best to define a specific plot by which you demonstrate how Sherlock became Sherlock. So what specific event is the inciting incident that motivates him to achieve a specific goal?
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As Richiev said, the logline needs a goal. Without a goal, there is no plot and the primary function of a logline is to convey a plot. Secondly is there a need for the multiple protagonists? It doesn't read as such, therefore I suggest specifying one character as the main character.
As Richiev said, the logline needs a goal. Without a goal, there is no plot and the primary function of a logline is to convey a plot.
See lessSecondly is there a need for the multiple protagonists? It doesn’t read as such, therefore I suggest specifying one character as the main character.