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When a young climber becomes paraplegic after an accident. In the rehabilitation center, she must accept her reality and find a new motivation for her life before choosing suicide.
Best to think of a story, at logline stage, as an action-reaction formula - this thing happens and therefore this person must do this other thing. "...accept her reality..." isn't an action, it's an emotional/mental process. As film is visual, you need to think of physical actions that embody the emRead more
Best to think of a story, at logline stage, as an action-reaction formula – this thing happens and therefore this person must do this other thing.
“…accept her reality…” isn’t an action, it’s an emotional/mental process. As film is visual, you need to think of physical actions that embody the emotional state of the character.
So, as a result of becoming paralyzed what must she do in specific terms? And, what will the camera see her achieve as a result of these actions?
See lessAfter murdering an immigrant, he convinces his psychiatrist to declare him insane so as not to be put on trial, but a detective will follow his steps to lock him up.
As the others have pointed out, best you focus on one main character and change the premise so it makes logical sense in the current legal system. Also, I suggest you check out the 'Formula' tab on the top bar to learn more about logline basics.
As the others have pointed out, best you focus on one main character and change the premise so it makes logical sense in the current legal system.
Also, I suggest you check out the ‘Formula’ tab on the top bar to learn more about logline basics.
See lessWhen a disillusioned married woman is absorbed by a surrealist painting, she struggles to develop the power to free herself from the painting before becoming part of it, while falling in love with a man of painting.
The event that motivates her to take action is getting trapped in the painting, as a response to that, she needs to find a way back to reality - this makes sense. Therefore, the inclusion of the love story, in the context that you've established, is superfluous. What's the main story line in this coRead more
The event that motivates her to take action is getting trapped in the painting, as a response to that, she needs to find a way back to reality – this makes sense. Therefore, the inclusion of the love story, in the context that you’ve established, is superfluous.
What’s the main story line in this concept? The love story? Or her getting back to reality?
See less