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An escaped convict is ensnared in a plot by a corrupt Sheriff to kidnap the young heiress to an oil fortune, complicating his quest for freedom.
In what way is your protagonist ensnared in the plot? Why would he go along with it? What form does this quest for freedom take? Is he train hopping? Is he hiding out in a mansion? Is he just passing through the town? Because these questions are open ended, I'm not sure if I'm watching something conRead more
In what way is your protagonist ensnared in the plot? Why would he go along with it?
What form does this quest for freedom take? Is he train hopping? Is he hiding out in a mansion? Is he just passing through the town?
Because these questions are open ended, I’m not sure if I’m watching something contemporary, or set in the old west.
See lessThree best friends return for their high school reunion intent on righting all the wrongs done to them in high school ? by either fucking, marrying, or killing their tormentors.
You need to pick a single protagonist; the one who has the most difficult change to make, and the one who the audience will identify with most. Jim in American Pie. The way you've worded your logline gives me a vague premise, but I still don't know whether I'm watching a sex romp or a murder spree,Read more
You need to pick a single protagonist; the one who has the most difficult change to make, and the one who the audience will identify with most. Jim in American Pie.
The way you’ve worded your logline gives me a vague premise, but I still don’t know whether I’m watching a sex romp or a murder spree, or both. Also, the term “fucking” is very aggressive, as of course is killing. If these are two of their primary goals in the film, I think you’re going to have a hard time making your characters empathetic, because they sound like sociopaths.
See lessA young orphaned undercover detective on suspension learns from an FBI agent that his biological father's is their current target.
Wouldn't the irony of the situation work better if your protagonist wasn't on suspension, but part of the task force assigned to bring in this dangerous "target" - when he discovers that the target is his father?
Wouldn’t the irony of the situation work better if your protagonist wasn’t on suspension, but part of the task force assigned to bring in this dangerous “target” – when he discovers that the target is his father?
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