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A terminally ill ex-con seeks revenge on the partner who double-crossed him and killed his girlfriend.
Besides, first you said, "At deaths door" and "Terminally ill" were redundant, now you are saying they are two separate things.
Besides, first you said, “At deaths door” and “Terminally ill” were redundant, now you are saying they are two separate things.
See lessA terminally ill ex-con seeks revenge on the partner who double-crossed him and killed his girlfriend.
That's the point, the heroes body, at key moments, gives way. A good writer asks, how can I make this harder on the lead character. Make him on death's door. Make his body weak. Make him have to really fight to win.
That’s the point, the heroes body, at key moments, gives way. A good writer asks, how can I make this harder on the lead character. Make him on death’s door. Make his body weak. Make him have to really fight to win.
See lessA terminally ill ex-con seeks revenge on the partner who double-crossed him and killed his girlfriend.
That's the point, the heroes body, at key moments, gives way. A good writer asks, how can I make this harder on the lead character. Make him on death's door. Make his body weak. Make him have to really fight to win.
That’s the point, the heroes body, at key moments, gives way. A good writer asks, how can I make this harder on the lead character. Make him on death’s door. Make his body weak. Make him have to really fight to win.
See less