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As a cursed detective struggles to contain the wolf within, he suspects he is being framed for murder. With the true killer desperate to expose the existence of werewolves, the detective must accept the beast within… or be lost to the wolf forever.
"As a cursed detective is framed by a killer determined to expose the existence of werewolves, he must accept the beast within or be lost to it forever." I think it's a good start (even though I've seen enough werewolf concepts for two lifetimes!) There's something missing, though. What's the hook?Read more
“As a cursed detective is framed by a killer determined to expose the existence of werewolves, he must accept the beast within or be lost to it forever.”
I think it’s a good start (even though I’ve seen enough werewolf concepts for two lifetimes!)
There’s something missing, though. What’s the hook? I get that the detective is framed by a killer.
I get that the detective is a werewolf.
The killer is “determined to expose the evidence of werewolves”; this is odd. He’s a killer, right? Who cares what he was to “expose”? Does he or does he not know the detective is a werewolf. I’m imagining that he doesn’t otherwise he would just “expose him”.
Are you really telling us is this guy who wants to “expose” the existence of werewolves, knows the detective is one, so he himself kills someone to make it look like the detective did it? It seems a bit convoluted, when all he really has to do is get proof that the detective is an actual werewolf.
Lastly, the idea of “accepting the beast or be lost forever”? Is that really a choice? It seems to me, working as a detective, he has already made that decision to accept it. If he can’t, he can kill himself. Someone either has that moral compass or they don’t. IMO, they don’t “accept” being murdering, carnivorous lycanthropes after living a relatively “good life” prior to that.
In summary, I think the logline has promise, but it lacks a true “hook”- something that separates it from all others. In addition, the concept as it currently stands seems a bit flawed.
Good luck with it, and hope this helps the creative juices some!
Geno Scala (sharkeatingman)- judge
See lessA grieving, self-righteous Vigilante must confront a fatal error before burying his hatchet in the killer of his son…
Man, I've been inudated with a hundred different versions of this logline. It seems that you are "dancing" around the actual "hook" of the story. The "equalizer"-type story has been done before, but your "hook" (this "fatal, tragic" error you keep hinting at) seems to be the only thing that sparatesRead more
Man, I’ve been inudated with a hundred different versions of this logline.
It seems that you are “dancing” around the actual “hook” of the story. The “equalizer”-type story has been done before, but your “hook” (this “fatal, tragic” error you keep hinting at) seems to be the only thing that sparates this from all of those types of stories.
In a logline, you can’t hold anything back. You really need to at least “imply” what this tragic error might be; presumably he kills the wrong person/people, or something like that? In 1976, Mike Connors made a TV movie with a similar theme and twist, called “Revenge for a Rape”- I’ll never forget it.
I think the logline issues can be solved by letting us in on the twist. It is what’s going to sell the story. Don’t worry about anyone “stealing ” it, because it’s been though of a thousand times before.
Good luck!
Geno Scala (sharkeatingman)- judge
See lessFuck it! Sorry. Just releasing some creative tension.
You DO realize this isn't a chatroom, right?
You DO realize this isn’t a chatroom, right?
See less