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  1. Posted: November 11, 2012In: Public

    An idealistic priest is hunted by Church agents after he uncovers a plot to release a virus that targets non believers.

    TOAST
    Added an answer on November 13, 2012 at 11:45 am

    Now *THAT*'s interesting.

    Now *THAT*’s interesting.

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  2. Posted: November 11, 2012In: Public

    So the Singularity happened. All because a guy lost his arm.

    TOAST
    Added an answer on November 13, 2012 at 12:26 am

    Cool. Don't forget that if this is a film, you need to visually represent the antagonist somehow. Were you thinking along the lines of a robot, cyborg, or something like "Hal-9000"?. Or an "imaginary human form" like the Oracle lady in the Matrix. A clever way of doing this was in the movie "Moon" SRead more

    Cool. Don’t forget that if this is a film, you need to visually represent the antagonist somehow. Were you thinking along the lines of a robot, cyborg, or something like “Hal-9000”?. Or an “imaginary human form” like the Oracle lady in the Matrix. A clever way of doing this was in the movie “Moon” Starring Sam Rockwell.

    If the AI is just a bunch of computer code, then I suppose this could work too. Remember Jurassic Park?

    (Off topic, some say the inspiration for the Radiohead album Kid-A is the concept of the first artificial human).

    Anyway, I’m fascinated.

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  3. Posted: November 10, 2012

    The MI6 is troubled by the possible existence of a voice technology that could recreate all human speeches ever made.

    TOAST
    Added an answer on November 12, 2012 at 11:45 pm

    But I would readily think pointing out a protagonist in the logline for a story with a complex plot would make it sound like a cliche.?. Not if the protagonist isn't a cliche. Do not fear cliche. It means you're on the right track. The important thing is *identifying* you've got a cliche on your hanRead more

    But I would readily think pointing out a protagonist in the logline for a story with a complex plot would make it sound like a cliche.?.

    Not if the protagonist isn’t a cliche.

    Do not fear cliche. It means you’re on the right track. The important thing is *identifying* you’ve got a cliche on your hands. Then you can write something to *overcome* the cliche… which as a creative process I tend to find this to be an extremely fun and rewarding process.

    “A middle-aged male MI6 agent with marital problems” – Cliche
    “A 60-year-old, female, black, MI6 agent… who is a heroin addict… living undercover in a council flat in the Shetland Islands” – Not Cliche. (Actually, I’m going to steal that one for myself 🙂

    If in doubt, consider your character’s flaws.
    As a last resort -> Turn them female, cute… and goth.

    Hey, it worked for NCIS.

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