In tradition of the French new wave films of the 60s, a young tap-gamer struggles with success and relationship strain after a conglomerate buys his game, while the conglomerate chairman frames an African American trash-man for his recent statuiatory rape lawsuit.

Tap-game = a smartphone game that you tap?

So is the main character a tap game developer and he made a lot of money selling his game to a big company?

If so I think "a young tap game developer" would better describe the MC.

Also a better adjective would help. "A brilliant tap game developer"?"A dyslexic tap game developer" etc. S

I can't see how the differents parts create a whole... a game, a rape, an african american trash man, french new wave, conglomeration... this could be genius but as a logline I don't understand anything at all sorry.

As Nir Shelter said.

Although a script may have more than one plot thread, a logline should only describe the main plot thread, the spine of the story on which everything else hangs.

And "struggles with success" is vague and a cliche. ?Exactly how does he struggle with success? ?Specifically, what? does the tap game developer do about the consequences of selling out to the conglomerate? ?What exactly becomes his objective goal?