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A young street level dealer must navigate the mine field of gang culture to get out before the gang implodes in a bloody internal war.
There is a blood-in blood-out culture to this drug gang. No one leaves unless they are dead. There has been killings. Member on member, war is coming. He wants to run. He is around 17, he has a brother who is not that smart and a few years older.
There is a blood-in blood-out culture to this drug gang. No one leaves unless they are dead. There has been killings. Member on member, war is coming. He wants to run. He is around 17, he has a brother who is not that smart and a few years older.
See lessSet in contemporary Japan, an American expatriate finds employment as a bartender at a residential hotel only to discover that it doubles as the base of operations for a major Yakuza syndicate.
Something are assumed, it is assumed contemporary unless stated different. Is it important to state residential bar? What does he want? What threatens him? What is stopping him? Why would he care? It is all in your story. Just not in your line.
Something are assumed, it is assumed contemporary unless stated different. Is it important to state residential bar? What does he want? What threatens him? What is stopping him? Why would he care? It is all in your story. Just not in your line.
See lessA backyard drug cook tests a new formula on her willing friends. It produces hallucination turning them into murderous, sadistic adversaries. She must survive their attacks as they slip deeper into madness.
Exactly. I think females can make better dark characters. Mostly they are written as insane and dark. I think they be "bad" without being mad. Thanks for the help.
Exactly. I think females can make better dark characters. Mostly they are written as insane and dark. I think they be “bad” without being mad.
Thanks for the help.
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