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When a down and out loser discovers a time portal where he communicates with his arrogant younger self, they attempt to create a lucrative future together, but become mortal enemies and a battle for control in this alternate reality drives him to the brink of psychosis. Refraction is a 98 page feature, psychological thriller in the vein of The Butterfly Effect or Twilight Zone.
I am guessing the note at the end isn't part of the logline, if it is drop it off. Great concept, but the wording is clumsy.
I am guessing the note at the end isn’t part of the logline, if it is drop it off. Great concept, but the wording is clumsy.
See less?An unassuming young gentleman, still struggling to find his place in the world, must face off with the 19th Century?s greatest criminal Kingpin to rescue his childhood sweetheart from a life of sexual servitude and topple the criminal conspiracy which may lead all the way to the Royal Family?
Good advice. Direct action, don't hint. A character does something or doesn't. I will not be bothered to read to find out. However I will read to see how the writer achieves it.
Good advice. Direct action, don’t hint. A character does something or doesn’t. I will not be bothered to read to find out. However I will read to see how the writer achieves it.
See less?An unassuming young gentleman, still struggling to find his place in the world, must face off with the 19th Century?s greatest criminal Kingpin to rescue his childhood sweetheart from a life of sexual servitude and topple the criminal conspiracy which may lead all the way to the Royal Family?
Most people assume a character arc, that a character will change and become a hero. I am a fan of showing the twists in the logline. Mostly because people will not read past a logline. By showing them the promise of a good twist may get your synopsis/script read. There are a million loglines, whichRead more
Most people assume a character arc, that a character will change and become a hero. I am a fan of showing the twists in the logline. Mostly because people will not read past a logline. By showing them the promise of a good twist may get your synopsis/script read. There are a million loglines, which would hint there are a million scripts. So how do you stand out? A twist perhaps?
Most important once you feel you have a great logline stop. Go work on the story an come back to it. Your story (and logline) will change as you discover your characters voices.
Good luck.
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