Lost your password? Please enter your email address. You will receive a link and will create a new password via email.
Please briefly explain why you feel this question should be reported.
Please briefly explain why you feel this answer should be reported.
Please briefly explain why you feel this user should be reported.
When his wife and daughter are both kidnapped and held in different locations, an emotionally stunted man must choose which one to save in a race against time.
Hello, as far as I'm concerned it's not a good idea to build a logline around a choice. A choice is a matter of one scene. What will we SEE in the movie? A man thinking one hour and a half about saving his daughter or his wife :)? I'm sure this is not your story! So try to tell the true story. GoodRead more
Hello, as far as I’m concerned it’s not a good idea to build a logline around a choice. A choice is a matter of one scene. What will we SEE in the movie? A man thinking one hour and a half about saving his daughter or his wife :)? I’m sure this is not your story! So try to tell the true story. Good luck!
See lessWhen one of his tenants is found murdered, a young and na?ve landlord must find a killer lurking in a secret part of the building, or risk bankruptcy.
Hello, I like the concept, a sort of 'phantom of the building'!?My personal opinion is that you should cut or rewrite the elements that are not directly linked to the plot - "young" is not interesting because it doesn't relate to the rest of the story. "Naive" too is a very week characterization. AnRead more
Hello, I like the concept, a sort of ‘phantom of the building’!?My personal opinion is that you should cut or rewrite the elements that are not directly linked to the plot – “young” is not interesting because it doesn’t relate to the rest of the story. “Naive” too is a very week characterization. Anyway, I think that a landlord investigating the death of his tenant is a clear, straigh, good concept. You can start working in deep on this story. I suggest you to build the story from the end: what or who is the killer? When you will have developped your story a little more, I’m sure you’ll be able to define your hero better.
See lessAfter witnessing a god rape her sister, a naive nymph seeks revenge, risking her life in the process.
I agree with the previous comments. Anyway, it's a good concept - be sure to read a lot of greek myths, that would help you create a story which is new and ancient at?the same time.
I agree with the previous comments.
See lessAnyway, it’s a good concept – be sure to read a lot of greek myths, that would help you create a story which is new and ancient at?the same time.