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?Just 3D-digitized, two famous Toon-actors are sent against their will on the internet to spread an elusive virus and must prevent ?Villains? of leading the world into a backward of forty years.?
Thank you dpg, I crush my mind with this and I rewrite.
Thank you dpg,
I crush my mind with this and I rewrite.
See lessActing in concert, birds start attacking people for no apparent reason.
Hi dpg, About Melanie, I think that we have to look for her journey into the development of her relationship with Mitch, because into the main thread -birds attacks-, they are just ordinary people. I think that Hitchcock put this subplot as a hook for audience and to make his story experienced fromRead more
Hi dpg,
About Melanie, I think that we have to look for her journey into the development of her relationship with Mitch, because into the main thread -birds attacks-, they are just ordinary people.
I think that Hitchcock put this subplot as a hook for audience and to make his story experienced from a specific POV, but that he was not very concerned in it: I.E. he lets Annie (Mitch’s ex-lover) be killed by the birds whereas she would be an interesting character interfering with (in) the Mitch-Melanie relationship.
This is why M?lanie’s journey is paused up to the end when the main thread gains in importance.
The end is ambigous: Why the birds don’t attack the car and do lovebirds have something to do with that?
He said that mystery does not interest the audience but he ends his movie on a mystery. Perhaps to let the audience with a sort of frustration that extend its anxiety …?
About flaw: This is definitely a gadget to increase spectator interest.
I.E. James Bond, who is the perfect hero without any personal flaw: In many of JB movies, the introduction shows him into a short story related to the main, in which he overcomes (or fails to) some major obstacle but is affected by it. This affect will be his flaw in the main story (often an excessive need of revenge and disavowal or repudiation from his hierarchy).
(It is quite the same for Indiana Jones!)
About virtue : Yes a virtue can be a flaw. I think that one of the best examples is in Hitchcock’s “I CONFESS” http://en.wikipedia.org/wiki/I_Confess_(film)
A other one is in LIAR, LIAR
And a deffect can be a force, of course.
All the best.
See lessActing in concert, birds start attacking people for no apparent reason.
And what is part of Hichcock's genius -I think- was to make a movie in wich the heroes and other conventional characterizations are related to the sub-plot and not to the plot!
And what is part of Hichcock’s genius -I think- was to make a movie in wich the heroes and other conventional characterizations are related to the sub-plot and not to the plot!
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