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When a teenage Jewish boy in Auschwitz learns his dream girl is Hitler?s daughter, he decides to stand up from the eyes of the SS and show death is not the only arousing them and not an infatuation he had on her.
Andrew. After every thing we've written and all the notes you've been given, I simply can't understand what it is you're trying to do now. Look at all the comments you've already gotten for this concept in your other posts - they all still apply.
Andrew.
After every thing we’ve written and all the notes you’ve been given, I simply can’t understand what it is you’re trying to do now.
Look at all the comments you’ve already gotten for this concept in your other posts – they all still apply.
See lessAfter being a result of a failed superhuman strength enhancing experimentation. A young boy must find a way to escape and run away from his oppressive family of assassins in order to achieve his dream of living like an ordinary human being.
It reads very similar to many teens with powers stories. A teenage boy who tearfully cries: I never asked for this... has become somewhat of a trope. Why not shift the focus from the fact he is trying to fit in to a more specific major objective. Running away from his family doesn't seem specific enRead more
It reads very similar to many teens with powers stories. A teenage boy who tearfully cries: I never asked for this… has become somewhat of a trope.
Why not shift the focus from the fact he is trying to fit in to a more specific major objective. Running away from his family doesn’t seem specific enough as it can happen on an indefinite basis. If he had to kill them in order to survive or save other people’s lives, then you’d be describing an outer objective goal that he could pursue with in a finite time line.
See less[Not a logline] Does the dark night of the soul occur in act 2, act 3 or in a secret middle place?
Moses described its placement correctly.However, it's important to note that you shouldn't stick to these terms in any religious way at the start. Best you structure your story the way you see fit before you take it to script. Then once you're happy with it, use what ever paradigm or guidelines youRead more
Moses described its placement correctly.
However, it’s important to note that you shouldn’t stick to these terms in any religious way at the start. Best you structure your story the way you see fit before you take it to script. Then once you’re happy with it, use what ever paradigm or guidelines you prefer (Hero’s Journey, Blake Snyder’s beats, McKee, etc…) to analyse the story and see where you can shift and change scenes to better fit the dramatic structure.
Conventions exist for a reason – they work. You would do yourself justice by learning them and figuring out how to make them work best in your method of development.
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