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  1. Posted: April 19, 2019In: Thriller

    In 1961, a British double agent is blackmailed with his past crimes by a former colleague, and forced to spy on a suspected Nazi war criminal, now an American jet-setter living on the French Riviera.

    Richiev Singularity
    Added an answer on April 19, 2019 at 6:58 pm

    Better

    Better

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  2. Posted: April 17, 2019In: Drama

    When a naive girl is captured by a group of people smugglers, she will create a plan to escape from the hell in which she is

    Richiev Singularity
    Added an answer on April 18, 2019 at 8:00 am

    From your logline, I would probably say your lead is captured by 'human traffickers', not 'people smugglers'. A coyote is a people smuggler. A coyote helps smuggle people over the border without being caught. A human trafficker is someone who kidnaps people and then sells them into slavery.

    From your logline, I would probably say your lead is captured by ‘human traffickers’, not ‘people smugglers‘.

    A coyote is a people smuggler. A coyote helps smuggle people over the border without being caught.
    A human trafficker is someone who kidnaps people and then sells them into slavery.

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  3. Posted: April 18, 2019In: Romance

    Destiny brings a lonely sketch artist and a bohemian girl together. Despite fate granting them one night, they are forever bound by a magical origami legend.

    Best Answer
    Richiev Singularity
    Added an answer on April 18, 2019 at 7:54 am

    On a side note.In a love story, you have the "Attraction" and the "Romance". The "Attraction" is what makes the audience want to see the two leads get together. The "Romance" is what keeps the two apart.The stronger the "Romance" (What keeps them apart) The stronger the audience will want to see theRead more

    On a side note.

    In a love story, you have the “Attraction” and the “Romance”. The “Attraction” is what makes the audience want to see the two leads get together. The “Romance” is what keeps the two apart.

    The stronger the “Romance” (What keeps them apart) The stronger the audience will want to see the two leads get together.? (And the more gripping the story will be)

    The two leads are in love (as an example) but their families are bitter rivals. The obstacle is so powerful the starstruck couple commit suicide. This makes for strong romance.

    The stronger the obstacle that keeps them apart, the stronger the “Romance”?

    In your logline, you hint that the two only share one night together but don’t tell us what keeps them apart. If they liked each other so much, why not just stay together? What is the “Romance” of your story? What is the nearly insurmountable obstacle that keeps the two from being together forever?

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