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I have a simple question about one script I’m currently working on: it has 10 short stories all based in Greece in different cities and areas. Maybe you know the movies “New York, I love you” and “Paris, je t’aime”. Basically, it is such a script, but located in Greece. Do you think this type of script is marketable in any way? And should I write one logline for the whole script or 10 different ones for each story? Thank you for your help in advance! Savas
one of the story ideas I had was about a comet that was about to hit the earth. At the last moment when the earth is about to be destroyed, The comet vanishes. In the aftermath there is a series of stories about people, who thinking they were about to die, did something out of character. Now that thRead more
one of the story ideas I had was about a comet that was about to hit the earth. At the last moment when the earth is about to be destroyed, The comet vanishes.
In the aftermath there is a series of stories about people, who thinking they were about to die, did something out of character.
Now that they are still alive they must live with the things they did.
The story line that was the glue, was about a preacher who in the moment the thought him and his family were going to die, cursed God.
He is now helping the people who are struggling with the things they have done. but he himself is struggling with his faith.
In my logline attempt. I concentrated on his story line. The story line that was the glue that held all the other stories together.
After the humongous planet destroying meteor vanishes from the sky right before impacting Earth, a troubled priest must help his congregation recover while dealing with the fact, at the moment the destruction of the earth was eminent he denied God.
This was what I wrote (And got good constructive feedback on.
If you have an main story line that is the glue that holds all the other stories together I would concentrate on that for the logline.
See lessWhen Raoud Le Meir finds a drunk Nazi passed out in his barn one night, he does what every terrified, mute and livid 12-year-old boy would do ? steals the soldier’s rifle.
As pointed out by dpg, this is a setup not a story.
As pointed out by dpg, this is a setup not a story.
See lessI thought about replacing the ‘Romeo and Juliet’ play with a self-written play. “When he meets an exchange student, a socially awkward nerd joins the university play to win the lead role and have his first kiss ever with his crush before she returns to her home country.”
I would say "paralyzing stage fright" or something of the sort so the audience understand the stakes and what the lead must overcome.
I would say “paralyzing stage fright” or something of the sort so the audience understand the stakes and what the lead must overcome.
See less