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When a music teacher discovers his new girlfriend is a serial killer, he must decide whether to turn her in or continue having amazing sex.
Hello, I think that taking a decision can't generate enough scenes to write a solid movie. You should focus about what happens in the movie, what is the plot, what actual problems are caused by the fact that his girlfriend is a serial killer. The logline should be able to give us a picture of the whRead more
Hello,
See lessI think that taking a decision can’t generate enough scenes to write a solid movie. You should focus about what happens in the movie, what is the plot, what actual problems are caused by the fact that his girlfriend is a serial killer. The logline should be able to give us a picture of the whole movie (except for a surprise ending).
What about:
“when a music teacher discovers his new girlfriend is a serial killer, he must cover her crimes if he wants to continue having sex with her”
A kid named Jack who comes from a devout mormon family who all wear the infamous Magic Underwear starts going to kindergarten and starts getting bullied and after that he starts questioning his faith.
I recommend to write some logline guides, this is the one I prefere: http://www.raindance.org/10-tips-for-writing-loglines/ but you have one right on this site https://loglines.org/howto/ You'll understand why you can avoid character's names. Anyway, I have no Idea of what a magic underwear is so IRead more
I recommend to write some logline guides, this is the one I prefere: http://www.raindance.org/10-tips-for-writing-loglines/ but you have one right on this site https://loglines.org/howto/
You’ll understand why you can avoid character’s names.
Anyway, I have no Idea of what a magic underwear is so I recommend to include more details in the logline. Then focus about the main character, his goal, his enemies.
Good luck!
See lessA reformed bully returns home for his high school reunion, unaware that he and his old friends are being hunted by one of their victims.
Hello, it seem to me that you are good at describing the beginning of movies, but in all the book that I've read about screenplays they all agree about the need to 'start from the ending'. Do you know exactly how your movies end? If you know how your movies end, you should be able to give to the reaRead more
Hello, it seem to me that you are good at describing the beginning of movies, but in all the book that I’ve read about screenplays they all agree about the need to ‘start from the ending’. Do you know exactly how your movies end? If you know how your movies end, you should be able to give to the reader an idea of the structure of the whole movie insteand of a description of the beginning. Remember, until you don’t know how your movie ends, it’s too early to start writing a logline. Of course the ending can be changed in the process.
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